Al Masrah magazine releases Issue 73 on Arab and global theatre

Syrian artists applaud Sharjah Ruler’s support for theatre

In the "Introduction" section, Syrian artists share heartfelt tributes to His Highness Sheikh Dr Sultan bin Mohammed Al Qasimi, Supreme Council Member and Ruler of Sharjah, commending his pivotal role in revitalising Arab theatre in recent years. The section also includes a field report on the presence of Emirati actors on stage, examining their roles in both solo performances and ensemble productions.

Arab theatre reviews: From Cairo to Casablanca

The “Readings” section presents several reviews of recent standout performances across the Arab world. These include an analysis of King Lear currently showing at Egypt’s National Theatre, starring Yehia El-Fakharany and directed by Shady Sarour. Another piece explores Circus by Iraqi director Jawad Al-Assadi, which recently earned three awards at the Cairo International Festival for Experimental Theatre. Reviews also feature Journey by Moroccan director Mohammed Farkani, Body, Teeth, and a Wig by Mazen Al-Gharbawi, and Planet Zamruda by Egyptian director Michael Tadros.

Essays on theatre's relevance and new Arab drama

In the “Perspectives” section, the magazine includes a translated essay by French writer Hans Lemonnier titled “Why is Theatre Necessary?”, translated by Youssef Amfaza. Another contribution by Abdul Nasser Hassou delves into the emerging directions of contemporary Arab drama.

Lebanese critic Obaido Basha reflects on his career

The “Interview” section features a conversation between journalist Hussam Mohyeddin and Lebanese critic Obaido Basha. The discussion touches on Basha's early influences, the evolution of his critical voice, and his views on the current challenges facing Arab theatre.

A journey to Bordeaux: Cultural dialogue in focus

In the “Journeys” section, writer Ibrahim Al-Hussein recounts his trip to Bordeaux, France, where he participated in a university-organised cultural forum focused on intercultural dialogue and artistic exchange.

A glimpse into Syrian student theatre

The “Horizons” section highlights the graduation performance An Ordinary Day, presented by students from the Damascus Theatre Institute and directed by Yazan Al-Dahouk. The article by Anna Akkash reflects on the creative process and audience reception.

Exploring symbolism in Al-Hakim's "The Tree Climber"

In the “Reviews” section, Hadia Abdel Fattah provides a thematic analysis of Tawfiq Al-Hakim’s play Ya Taale’ Al-Shagara (The Tree Climber), with a focus on its rich symbolic layers.

From Palestine to Avignon: Theatrical dispatches

The “Letters” section features Sabry Hafez’s commentary on Present, Father, a recent play by Palestinian director Bashar Murkus, which was staged at the renowned Avignon Festival in France.

Theatre voices: Interviews with leading artists

The “Follow-ups” section includes brief interviews with Moroccan director Amin Nassour, who recently concluded a two-year tour of Nostalgia: Emotion of the Past; Tunisian director Moaz Al-Ashouri, who won Best Director at the Cairo Experimental Theatre Festival; Algerian actress Kahla Hussein, Director of the Regional Theatre in Béjaïa; and veteran Tunisian critic Mohamed Moumen.

A continuing platform for Arab theatre dialogue

Issue 73 of Al Masrah reinforces the magazine’s role as a leading cultural platform that nurtures dialogue, critiques, and celebration of theatre across the Arab world. Through thoughtful engagement with contemporary performances and critical issues, it contributes to preserving and evolving the region’s theatrical heritage.