The significance of theater in times of conflict remains undiminished, as it continues to contribute to societal progress. This statement encapsulates the content of three new publications introduced by the Arab Theatre Authority, which have enriched the Arab theater library with their latest additions.
The first book, authored by Dr. Justin John Bailey, a distinguished Professor of Arts at the University of Juba in South Sudan, is titled "Theatre and War: The Search for Peace, Justice and Equality". This comprehensive work illuminates the diverse realms of amateur theatre, church theatre, community theatre, applied theatre, theatre in conflict and displacement zones, and theatre in areas inhabited by displaced persons. It also explores the role of theatre in transcending cultural, religious, and intellectual boundaries, aiming to inspire hope, dreams, and freedom.
The theatrical journey, which originated in modest and seasonal productions in marginalized areas of Sudan, steadily evolved into one of the most significant theatrical movements in the country. It contributed to reshaping the identity of Sudanese theatre across various domains such as dramatic themes, performance, costumes, stagecraft, scenic design, scenography, direction, critique, and academic theorization within the College of Music and Drama. Dr. Bailey thoughtfully supplements this account with appendices, a registry of experiences and individuals, and visual documentation, offering a comprehensive exploration of this transformative experience within Sudanese theatre.
Dr. Saeed bin Mohammed Al-Siyabi, an author from the Sultanate of Oman, has released his second book titled "The Light Never Dims: Reflections on Theater and Its Future, Theatrical Visions." This book consists of three chapters: theatrical reflections in the public space, reflections on Omani theater, and reflections on Arab and international theater. The book offers insights into various phenomena, performances, and texts that the author previously published as articles across different platforms. Spanning 114 pages, the book features extensive references to theatrical works in Oman and beyond. Dr. Al-Siyabi, a researcher, playwright, story writer, and novelist, has a rich literary background, with numerous published books and television dramas to his credit.
In his latest work, "Theatre and Development: Experiences of Interactive Theatre in Sudan," author and director Hatem Mohamed Ali delves into the intrinsic relationship between interactive theatre and community development. Ali emphasizes that interactive theatre cannot exist independently of development, nor can it remain neutral in the face of societal transformations, as it inherently reflects the author's ideas, experiences, orientations, and inclinations. Supported by visual documentation, the book meticulously chronicles numerous interactive theatre experiences and scrutinizes various interactive scenes, offering a comprehensive study of the subject.
For an optimal experience, please
