Curated by Alia Swastika, Amal Khalaf, Megan Tamati-Quennell, Natasha Ginwala and Zeynep Öz, Sharjah Biennial 16 will convene under the title to carry, a multivocal and open-ended proposition. Examining an ever-expanding list of what to carry, and how to carry it, the Biennial is an invitation to encounter the different formations and positions of the five curators as well as the constellation of resonances they have gathered.
The Biennial theme, ‘to carry’, entails understanding our precarity within spaces that are not our own while staying responsive to these sites through the cultures that we hold. It also signifies a bridge between multiple temporalities, encompassing intergenerational stories and various modes of inheritance. What do we carry when it is time to travel, flee or move on? What are the passages that we form as we migrate between territories and across time? What do we carry when we remain? What do we carry when we survive?
Thus, ‘to carry’ proposes the Biennial as a collective wayfinding and a modality of sense-making and insistent looking—back, inwards and across—instead of a ‘turning away’ amidst tides of annihilation and tyranny. Sharjah Biennial 16 curatorial projects reflect on what it means to carry change and its technological, societal, animistic or ritualistic possibilities as community doulas would hold space for others during moments of transition.
As carriers of different processes and offerings, the curators have cultivated their projects together and apart, allowing room for listening and mutual support. Diverse curatorial methodologies—from residencies, workshops and collective production to writing, sonic experiences and expanded publications—will be constantly present in the milieu of the Biennial, encouraging critical conversations and the formation of an evolving collection of narratives told from multiple perspectives, geographies and languages.
‘The constellation of diverse methodologies that the five curators have gathered offers audiences the opportunity to engage in thought-provoking dialogues bridging the local context with global narratives about identity, movement, change and collectivity,' said Hoor Al Qasimi, President and Director of Sharjah Art Foundation. ‘By centring the act of carrying, Sharjah Biennial 16 offers a space for imagining new collective futures while recognising the weight of shared histories and experiences.’
According to the curators, ‘Our projects come under the umbrella of a question rather than a theme. What does it entail to carry a home, ancestors and political formations with you? This spirit of inquiry coalesces with artistic methods grounded in stories of change and movement, intergenerational kinship, lament and ritual, experimental pedagogies, knowledge of land and sea terrains. Attesting to the responsibility as both guest and host, we conjure possibilities of acting in the world and being together through tenderness, failure and rage as gestures of care, resource exchange and alliance building.’
List of participants
Adam HajYahia*; Adelita Husni-Bey*; Akinbode Akinbiyi; Akira Ikezoe*; Akram Zaatari; Albert Refiti; Alia Farid*; Aluaiy Kaumakan; Ana Iti; Anga Art Collective*; Arthur Jafa; Ayman Zedani; Ayşe İdil İdil, Betül Aksu, Okyanus Çağrı Camcı with Merve Elveren*; Ayumi Paul; Aziz Hazara*; Betty Adii with Septina Layan*; Bilna'es*; Bint Mbareh*; Brian Martin; Cannupa Hanska Luger; Cassi Namoda*; Cécile B. Evans*; Chandralekha; Chun Shao; Citra Sasmita*; Ciwas Tahos (Anchi Lin); Claudia Martínez Garay; Concrete Thread Repertoire*; Daniel Boyd*; Dian Suci Rahmawati*; Dilek Winchester; Doruntina Kastrati*; Driant Zeneli; Ellen Pau*; Emily Kam Kngwarray; Emre Hüner; Fatma Belkıs; Faye Heavyshield; Fazal Rizvi*; Fernando Palma Rodríguez; Fiona Pardington*; Güneş Terkol*; Hashel Al Lamki*; Helene Kazan*; Hellen Ascoli*; Heman Chong; Hugh Hayden*; Hylozoic/Desires*; Ipeh Nur*; Joe Namy*; John Clang; Jorge González*; Julianknxx*; Kaili Chun; Kaloki Nyamai*; Kapulani Landgraf; Kate Crawford with Vladan Joler; Kate Newby*; Liu Chuang; Lorna Simpson; Luana Vitra*; Luke Willis Thompson*; Maïa Tellit Hawad*; Mabel Juli; Mahmoud Khaled*; Mangku Muriati*; Mara TK*; María José Murillo; Mariam Alnoaimi*; Marie-Claire Messouma Manlanbien; M'barek Bouhchichi*; Megan Cope; M'hammed Kilito*; Michael Parekōwhai*; Mila Turajlić*; Mohammed Al Hawajri, Dina Mattar and family with Ala Younis*; Mónica de Miranda*; Monira Al Qadiri; Morris Foit; Nadia Christidi with Sary Moussa and Joseph Kai*; Nadiah Bamadhaj; Naeem Mohaiemen*; Nasser Al Yousif; Ndidi Dike*; Nge Lay*; Noémie Goudal; Olivia Plender; Onur Gökmen; Paky Vlassopoulou; Pallavi Paul*; Pastizal Zamudio with Andrea Torreblanca*; Photo Kegham – Kegham Djeghalian; Pratchaya Phinthong*; Raafat Majzoub; Raffaela Naldi Rossano*; Rajni Perera*; Rajyashri Goody; Raven Chacon*; Reetu Sattar; Restu Ratnaningtyas*; Richard Bell; Risham Syed*; Rita Mawuena Benissan*; Rossella Biscotti*; Roy Samaha*; RRD (Reproduction and Distribution Network; Anuar Portugal, Bruno Ruiz, Joel Castro, Laura Muciño and Sergio Torres); Rully Shabara*; S M Sultan; Saffronn Te Ratana*; Sakiya*; Salima Hakim*; Sancintya Mohini
Simpson*; Sangdon Kim*; Sarah Abu Abdullah*; Serapis Maritime*; Sevil Tunaboylu*; Shivanjani Lal*; Shubigi Rao; Singing Wells*; Sky Hopinka; Stephanie Comilang*; Steven Yazzie; Subash Thebe
Limbu; Suzanne Lacy; T. Vinoja*; Tara Al Dughaither*; Te Matahiapo Collective*; The Voice of Domestic Workers x MOI TRAN*; Tishani Doshi*; Viswanadhan; Vitória Cribb*; Wael Shawky; Womanifesto*; Ximena Garrido-Lecca; Yhonnie Scarce*; Yim Yen Sum*; Yvonne Koolmatrie; Zadie Xa*.
*Participants presenting new commissions
Sharjah Biennial 16: to carry
Full curatorial statement
to carry a home
to carry a history
to carry a trade
to carry a wound
to carry equatorial heat
to carry resistance
to carry a library of redacted documents
to carry rupture
to carry Te Pō [the beginnings]
to carry change
to carry songs
to carry on
to carry land
to carry the language of the inner soul
to carry new formations
to carry the embrace of a river current
to carry sisterhood and communal connection
to carry the rays of a morning without fear
The Sharjah Biennial 16 title, to carry, is a multivocal and open-ended proposition. The ever-expanding list of what to carry, and how to carry it, is an invitation to encounter our different formations and positions and to gather a constellation of resonances.
The Biennial theme, ‘to carry’, entails understanding our precarity within spaces that are not our own while staying responsive to these sites through the cultures that we hold. It also signifies a bridge between multiple temporalities of embodied pasts and imagined futures, encompassing intergenerational stories and various modes of inheritance. What do we carry when it is time to travel, flee or move on? What are the passages that we form as we migrate between territories and across time? What do we carry when we remain? What do we carry when we survive?
Thus, ‘to carry’ proposes the Biennial as a collective wayfinding, a modality of sense-making and insistent looking—back, inwards and across—instead of a ‘turning away’ amidst tides of annihilation and tyranny. Sharjah Biennial 16 curatorial projects reflect on what it means to carry change and its technological, societal, animistic or ritualistic possibilities. As community doulas would hold space for others during moments of transition, the projects collectively form a threshold space for experiments and collaborations, in which we compose divergent stories, understand failures and dark moments, and hold room for tenderness and rage.
As carriers of different processes and offerings, the curators have cultivated their projects together and apart, allowing room for listening, mutual support and the sharing of resources. Diverse curatorial methodologies—from residencies, workshops and collective production to writing, sonic experiences and expanded publications—are constantly present in the milieu of the Biennial, encouraging critical conversations. Sometimes, projects by different curators sit together in one venue to form a wild
polyphony; at other times, they occupy an entire space to recite a story. Together, they form an evolving collection of narratives told from multiple perspectives, geographies and languages.
For more information, visit sharjahart.org.
For an optimal experience, please
