Taking place from 5 through 7 March 2022, March Meeting 2022: The Afterlives of the Postcolonial will examine the legacies of colonialism and the contemporary impacts of related issues on cultural, aesthetic and artistic practices around the world. The 2022 edition expands upon March Meeting 2021: Unraveling the Present, both of which engage with the framework of Sharjah Biennial 15: Thinking Historically in the Present, conceived by the late Okwui Enwezor (1963–2019) and curated by SAF President and Director Hoor Al Qasimi, which opens in February 2023.
Drawing upon Enwezor’s concept of the “Postcolonial Constellation,” March Meeting 2022 will consider contemporary art and issues through the lens of postcolonialism, the critical study of the historical, social and cultural legacies of colonialism and imperialism. From this perspective, participants will analyze current global issues such as racism, settler colonialism, apartheid, new imperial wars, social movements including Black Lives Matter, Indigenous rights, climate change and the restitution and repatriation of looted artifacts. The programme will also explore theoretical frameworks such as intersectionality, gendered identities, coloniality, and decoloniality. To discuss the “afterlives” of the postcolonial, March Meeting will convene key voices in art and academia whose work reflects discourses, practices, theories and critical perspectives derived from postcolonialism and focused on the late 20th- and early 21st-century world and its present and future challenges.
“We look forward to expanding upon the prominent themes and complex conversations developed during March Meeting’s 2021 and 2022 editions –as we thoroughly explore the 'postcolonial’ and its impact around the world in advance of Sharjah Biennial 15,” said Hoor Al Qasimi, SAF President and Director and SB15 Curator. “We aim to honour Enwezor’s legacy and scholarship through each major event, bringing together ideas of the past, present and future, analyzing how our histories intertwine, while emphasizing the importance of supporting contemporary culture outside of Western models by presenting and producing art and discourse that is responsive to our times.”
Featuring more than 40 speakers spread across three days, March Meeting 2022 will offer 12 sessions, including panel discussions and keynote addresses. Highlights include:
•
A keynote conversation between Angela Davis (Activist, scholar and author) and Manthia Diawara (Professor at New York University and filmmaker);
•
An exploration of the scholarship surrounding the restitution and repatriation of looted cultural artifacts with Chika Okeke-Agulu (Director, Program in African Studies and Professor, Art and Archaeology and African American Studies, Princeton University) and Ngaire Blankenberg (Director, Smithsonian Museum of African Art), among others;
•
A panel discussion on structural inequalities caused by settler colonialism, segregation and apartheid, featuring artist Khalil Rabah, Noura Erakat (Human rights attorney and Associate Professor, Africana Studies and the Program in Criminal Justice, Rutgers University), and Premesh Lalu (Professor, History, The Africa Institute);
•
A critical examination of the paradox of the celebration of global cultural talent and exchange and the rise of anti-immigration policies in Europe and North America, as unpacked by Ayesha Hameed (artist and Senior Lecturer, Visual Cultures, Goldsmiths College, University of London), Zahid Chaudhary (Associate Professor, Department of English, Princeton University) as well as artists Bouchra Khalili and Rachid Koraichi.
March Meeting 2022 will also feature film screenings and a new, site-specific performance by Lawrence Abu Hamdan. The event coincides with the opening of several exhibitions, including solo exhibitions of work by Abu Hamdan, Khalil Rabah and CAMP, all opening on 4 March, as well as a retrospective of work by Gerald Annan-Forson, organised in collaboration with The Africa Institute, opening 7 March. A retrospective for Aref El Rayess, organised in collaboration with Sharjah Museums Authority and presented at Sharjah Art Museum, will also be on view.
Enwezor envisioned the invitation to curate Sharjah Biennial 15 as a way to reflect on and contribute to the Biennial’s history and that of the overarching Foundation, and their role in addressing the need for institutional models outside of the West that support dialogue and the production and presentation of contemporary art responsive to our times. Following March Meeting 2021, which examined the 30-year history of the Sharjah Biennial and the future of the biennial model, March Meeting 2022 further engages with Enwezor’s framework for Sharjah Biennial 15, building momentum towards its opening in February 2023. Sharjah Biennial 15: Thinking Historically in the Present, will continue to explore these themes, bringing together 30 artists to make commissioned works that explore histories that continue to shape our present, alongside a selection of contemporary works by international artists.
The 30 artists have been invited to embark on major commissions are: John Akomfrah, Kader Attia, Sammy Baloji, María Magdalena Campos-Pons, Carolina Caycedo, Destiny Deacon, Manthia Diawara, Coco Fusco, Hassan Hajjaj, Mona Hatoum, Lubaina Himid, Isaac Julien, Amar Kanwar, Bouchra Khalili, Mohammed Ibrahim Mahama, Kerry James Marshall, Steve McQueen, Almagul Menlibayeva, Aline Motta, Wangechi Mutu, Philippe Parreno, Doris Salcedo, Berni Searle, Yinka Shonibare, Vivan Sundaram, Fatimah Tuggar, Hajra Waheed, Barbara Walker, Nari Ward and Carrie Mae Weems. The Biennial is being realised by Hoor Al Qasimi as curator in conjunction with the Working Group, comprised of Tarek Abou El Fetouh (independent curator); Ute Meta Bauer (professor and Founding Director of NTU CCA Singapore); Salah M. Hassan (professor and art historian, Cornell University and Director of The Africa Institute, Sharjah); Chika Okeke-Agulu (professor and art historian, Princeton University); and Octavio Zaya (independent curator, art writer and Executive Director of the Cuban Art Foundation). Al Qasimi and the Working Group are overseeing the development and implementation of the Biennial with an Advisory Committee that includes Sir David Adjaye (architect) and Christine Tohmé (Director, Ashkal Alwan, Beirut).
Sharjah Biennial 15 began with the 2021 edition of the March Meeting. Held from 12 to 21 March 2021, March Meeting 2021: Unraveling the Present examined the 30-year history of the Sharjah Biennial and the future of the biennial model. All talks and panels from March Meeting 2021, which drew more than 4,000 attendees from around the world, are available online at: sharjahart.org/march-meeting-2021/programme. The March Meeting Papers, a series of eleven commissioned essays by art historians and scholars chosen through the March Meeting 2021 open call, are also available online at: sharjahart.org/sharjah-art-foundation/publications/march-meeting-papers. The 2022 edition of March Meeting will continue these explorations and dialogue in the lead up to the Biennial.
For an optimal experience, please
