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Essam Abu Al-Qasem highlighted the significance of body expression in theater, especially in an era dominated by dialogue and visual media, which has diminished the role of physical movement in performances.
Walid Qutli emphasised that theatergoers attend to see a performance, not just to hear dialogue. He criticized directors who focus solely on actors' vocal delivery, leading to a lack of visual engagement. He traced the origins of theater to early human rituals and dances that depicted hunting and religious celebrations.
Critic Mohamed Said Ahmed discussed the various functions of body expression, including its expressive, aesthetic, and rhythmic roles. He noted that physical expression precedes language and is crucial in conveying meaning on stage. He also mentioned the influence of Brecht in reshaping actor movement, enhancing physicality in theater.
Sudanese director Abdel Khalek Omar stressed the centrality of body expression in successful theater productions. He pointed out that different professions influence physical movement and that these nuances can enhance performances. He also shared insights into the rich cultural diversity of Sudan's theatrical expressions, particularly from Southern Sudan.
The seminar highlighted the essential role of body expression in theater, showcasing how various cultural influences and practices can enrich performances. Participants emphasised the need for actors and directors to focus on physicality to create impactful theatrical experiences.
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