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Soyinka shared deeply personal reflections on the multidimensional nature of African identity. “African identity is alive in our traditions, rooted in the rich tapestry of our people, and expressed through our art and storytelling,” he stated. He applauded the arts as a vessel for preserving African rootedness, emphasising that identity is a dynamic force shaped by language, history, and shared humanity.
In his session titled “In the Light of the Word,” Soyinka emphasised the intricate relationship between language and identity, describing language as “the essence of our being.” The Nobel laureate also reflected on the artistic process, noting how ordinary moments often inspire extraordinary creativity.
Among the evening's highlights was Soyinka’s reflection on the challenges of being a writer in the digital age. He humorously highlighted the pitfalls of modern technology, recounting how AI had recently been misused to mimic his voice as part of a scam.
When speaking on his decades-long activism and writing, Soyinka affirmed their interconnectedness, stating, “Writing has always been a dialogue with my environment, a way of critiquing, elaborating, and sharing what I see, what I feel. Writing pays attention; activism breathes it into meaning.”
Festival-goers were especially inspired by Soyinka’s discussion of his recent novel, Chronicles from the Land of the Happiest People on Earth,” marking his return to fiction after nearly five decades. Reflecting on the festival’s theme, ‘The Tale of Africa,’ Soyinka eloquently summed up its spirit, proclaiming, “Africa’s story doesn’t end. It grows, evolves, and surprises itself. Our heritage is not static; it’s fluid, alive, and, most of all, it’s ours to tell.”
The Sharjah Festival of African Literature continues to position Sharjah as a bridge between cultures, fostering a new era of appreciation for Africa’s literary legacy.